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Drawing is a way for me to work out ideas, intuitive connections, and non-linear relationships within the context of all my other content concerns, ie social analysis, sociohistorical conditions, political action, cultural identification, word/image problems, etc. It is also an arena for play, informality, and experimentation. The most valuable result of these efforts—often modest in scale and rapid in execution—is the ongoing evolution of ideas in visual form. The concrete outcome is a trail of drawings as finished works.